until 19.05.
Shrubs, Flowers and Decay. Zadok Ben-David, Tilyen Mucik. sculpture–installationphotography Repro Halophytes Salicornia europaea, Tilyen Mucik, 2021, Digitaldruck auf archival paper, Auflage 3, 30 x 40 cm
until 19.05.
Shrubs, Flowers and Decay. Zadok Ben-David, Tilyen Mucik. sculpture–installationphotography Repro Unnamed, Zadok Ben-David, 2021, handbemalter Edelstahl, Plexiglas-Box, Unikat, 25 x 25 x 13 cm
In the exhibition Shrubs, Flowers, and Decay, the young photographer Tilyen Mucik (born in Ljubljana in 1995) discovers the variety and diversity of nature, and the sculptor Zadok Ben-David (born in Bayhan, Yemen in 1949) creates it by his own hand. Artificial and natural nature meet.
until 21.05.
Silent Life - Stillleben. Ursula Schumacher. painting–drawing Repro Feigen, Ursula Schumacher, 1990, Öl auf Leinwand, 57 x 37 cm, Photo: Christian Bertram | Galerie Bernet Bertram
until 21.05.
Silent Life - Stillleben. Ursula Schumacher. painting–drawing Repro Felix I, Ursula Schumacher, 1996, Öl auf Leinwand, 57 x 55 cm, Photo: Christian Bertram | Galerie Bernet Bertram
until 21.05.
Silent Life - Stillleben. Ursula Schumacher. painting–drawing Repro Vorhang, Ursula Schumacher, 2007, Öl auf Holz, 60 x 60 cm, Photo: Christian Bertram | Galerie Bernet Bertram
until 21.05.
Silent Life - Stillleben. Ursula Schumacher. painting–drawing Repro Blaue Boote (Am Siel), Ursula Schumacher, 1982, Öl auf Leinwand, 56 x 70 cm, Photo: Christian Bertram
Her subject is silence. The work of the Berlin painter Ursula Schumacher includes still lifes and landscape pieces, arrangements of objects, flowers, scarves, boxes, glasses and dolls, boats and trees in the interplay of light and shadow. Over 30 works in oil on canvas are to be seen. It is the almost inconspicuous things that - to our delight - achieve a matter-of-fact, almost unpretentious expression in Schumacher's compositions.
How does one find focus in a diffuse world, calm in times of unrest? In her first solo exhibition, SUR LA TABLE, Anna Tunikova, born in 1994 and and working and living in Berlin, addresses the big questions. For her examination of the present, the artist draws on the past and abstracts forms in her paintings that are reminiscent of the Stone Age. In this field of tension between the times, what the audience is looking for opens up to them: calm and focus.
until 22.05.
Towards Abstraction. Nils Ohlsen. painting–drawing Repro Columns, Nils Ohlsen, 2021, Aquarell auf Canson, Moulin du Roi, 640 g , 39 x 58,5 cm
Nils Ohlsen began working with watercolours in 2003, after curating an exhibition on Lovis Corinth that included the German artist’s oil and watercolour paintings. Taking inspiration not only from Corinth, but also Sonia Delaunay, and Callum Innes, among other modern and contemporary artists, Ohlsen has spent the last two decades painting his surroundings and experimenting with colour, materials, formats, and, incorporating photography into his painterly practice.
Without a specific theme, UPDATE is a group exhibition in which the artists of the VBK express each year their individual positions in free artistic form. This year's exhibition gathers 79 perspectives, presenting at the same time the versatility of the concept of art and the diverse positions the members of the VBK have to offer.
until 26.05.
in Corona Zeiten entstandene Werke. Nguyễn Dinh Hoang Việt. painting–drawing Repro MIG 21, Nguyễn Dinh Hoang Việt , 2022, oil and newspaper on canvas, 80 x 160 cm
As a sculptor, painter and lyricist, the Berlin artist Wolfram Beck (1930-2004) left behind an extensive and multifaceted oeuvre. In our presentation we show sculptures, assemblages, drawings and paintings. Beck was a master of aesthetic rigour and precision craftsmanship with a high sensitivity for the treatment of the respective material such as wood, steel, bronze, acrylic glass and stone. The exhibition presents sculptures, drawings and paintings from the 1960s to the 1990s.
until 28.05.
Videoinstallation "On Exactidude in Science", "Deskscapes" and related works. Alan Butler. painting–drawingaudio–video art Repro Big Sur Road dot jpeg v1, Alan Butler, 2022, Acrylic on cotton rag , 132 x 132 cm, Photo: Galerie
"On Exactitude in Science" is one of the most remarkable things I’ve seen in months. The work consists of two screens. On the left plays Godfrey Reggio’s Koyaanisqatsi: Life Out Of Balance, the 1982 stoner classic of slow motion and time lapse footage of cities and landscapes with pulsing, shimmering Philip Glass soundtrack. On the right: Butler’s shot-by-shot remake, in which he has — marvelously, reproduced the film in its entirety by modding Grand Theft AutoV.
until 29.05.
A worm crossed the street. Nadja Bournonville. photography Repro Philomachus pugnax, Nadja Boournonville, 2020
In her new artistic project, Nadja Bournonvilles deals in many ways with the life, biodiversity, legacy, representation and extinction of animals. The artist photographed objects and specimens in the Natural History Museum Vienna. The result is a visual aesthetic cosmos, deeply rooted in being between beauty and deformation. At the same time, the photographs refer to the heterotopia inherent in the museum.
until 29.05.
treiben - Unterwegs mit der transsibirischen Eisenbahn. Vom Tagebuch zur Graphic Novel. Bernadette Schweihoff. graphic–paper works Repro treiben, Bernadette Schweihoff, 2021, Grafik
For further information in english please contact the gallery.
In addition to numerous fashion photographs spanning the twentieth century, just as many paintings and drawings testify to the role of fashion as a means of expression and representation of a particular era: from the reform dress around 1900 and the Dada dandies of the 1920s to avant-garde clothing designs in contemporary art.
until 01.06.
20 Jahre Galerie. Gruppenausstellung. Neues aus den Beständen. Künstler der Galerie. Repro Four, Krista Dzudzilo, 2018, Öl auf Leinwand, signiert, datiert, 140 x 180 cm
until 01.06.
Solo Exhibition. Aus Solidarität mit der Ukraine. Svitlana Galdetska. painting–drawing Repro Island, Svitlana Galdetska, 2021, 0il on canvas, 150 x 200 cm
until 04.06.
Tacita Dean. graphic–paper works Repro Antigone (offset), detail, Tacita Dean, 2021, Offset lithography, Series of eight diptychs, 34 x 77 cm each
BORCH Editions is delighted to present Tacita Dean's offset lithograph print projects Antigone (offset), 2021, and JG (offset), 2013, in Berlin. Both projects derive from Dean's eponymous films: In Antigone (2018), Dean creates a multi-layered visual tale around the concept of blindness, rooted in the destiny of Antigone’s father/brother Oedipus, while JG (2013) is a visual interpretation of a hypothetical conversation between J.G. Ballard, Robert Smithson, and Tacita Dean.
until 04.06.
Accurate Glitch. Five artists from the class of Prof. Thomas Scheibitz of the Dusseldorf Art Academy. Filip Gudović, Luc Palmer, Katharina Stadler, Andreas Steinbrecher, Denise Werth. painting–drawingsculpture–installation Repro details from left to right: KATHARINA STADLER, M., 2022, LUC PALMER, iniuria via 3, 2021, FILIP GUDOVIĆ, CUT N’RAVE, 2020, DENISE WERTH, Tide, 2021, ANDREAS STEINBRECHER, Zerbrochenes Schild, 2022
From April 22 to June 4, Jarmuschek + Partner presents five artists from the class of Prof. Thomas Scheibitz of the Kunstakademie Dusseldorf. Under the title "Accurate Glitch", paintings and three-dimensional works by Filip Gudović, Luc Palmer, Katharina Stadler, Andreas Steinbrecher and Denise Werth will be shown.
until 04.06.
Works: 1970 - 1973. Allan McCollum. sculpture–installation Repro Susan Holtz, Allan McCollum, 1971, Canvas, dye, boat caulking, 228,6 x 228,6 cm, Photo: Courtesy of Allan McCollum and Petzel, New York
Sofie Dawo's (1926-2010) textile works emerge predominantly from the material itself: its properties, its possibilities. To discover there is an artist whose works were long forgotten, who made an important contribution to concrete art with her experimental approach.
until 04.06.
Die Dritte Hälfte. Joanna Buchowska. painting–drawinggraphic–paper works Repro Vera Rubin, Joanna Buchowska, 2022, Papier und Acrylfarbe auf Leinwand, 60 x 50 cm, Photo: Joanna Buchowska
For further information in english please contact the gallery.
until 04.06.
Flow. New Stencil Works. Anders Gjennestad. urban art Repro Nova, Anders Gjennestad, 2022, Spraypaint on Posterboard, 172 x 121 cm, Photo: Anders Gjennestad
New stencil works of Norwegian artist Anders Gjennestad. Urban Art.
until 04.06.
art on paper II. Arbeiten mit / aus / auf Papier. Helmut Dirnaichner, Barbara Fahrner, Albrecht Genin, EunNim Ro, Shinkichi Tajiri, Menno Fahl, Alexandra Huber, Wolf Spies, Moritz Hasse. Repro Knot, Shinkichi Tajiri, 1987, Knoten in handgeschöpftem Papier, 40x50cm
until 10.06.
It cut through blood. Joanna Jones. painting–drawing Repro It cut through blood, Joanna Jones, 2020, Egg Tempera on Canvas, 100 x 100 cm, Photo: Chroma, courtesy Galerie Gilla Loercher and the artist
Galerie Gilla Loercher is thrilled to present a exhibition of the British painter Joanna Jones (born 1945). On view are recent paintings (2020/2021) from the series "It cut through blood".
Since El Bocho's transition from the street to the canvas, the JRGallery has regularly exhibited his latest work in solo exhibitions. Thanks to this long-term collaboration, the gallery is lucky to be the first place to present the latest developments in his work. Look forward to new works by the by now iconic Berlin street artist.
until 11.06.
Elegies for Lost Souls. Juan Logan. painting–drawing Repro Elegy LIV, Juan Logan, 2019, Acryl und Diamantsplitter auf Fabriano Artistico Papier, 55,8 x 76,2 cm
until 11.06.
Elegies for Lost Souls. Juan Logan. painting–drawing Repro Elegy XLIX, Juan Logan, 2019, Acryl, Collage auf Fabriano Artistico Papier, 50,8 x 73,6 cm
Juan Logan, born in Nashville, Tennessee in 1946, lives and works in Belmont, NC. His works, originally related to American history and the connections between race and power, illustrate universal, mostly sorrowful events in history shared by many people today. His mostly abstract paintings are ciphers for memories that are in danger of being forgotten. In the USA, Juan Logan's works are part of numerous collections and can be seen in many museums.
until 11.06.
Birds of Tegel. Daniel Poller. photography Repro Birds of Tegel, Daniel Poller, 2022, Archivfester Pigment Print, verschiedene Formate, Photo: Daniel Poller, VG Bild-Kunst 2022
until 11.06.
Birds of Tegel. Daniel Poller. photography Repro Birds of Tegel, Daniel Poller, 2022, Archivfester Pigment Print, verschiedene Formate, Photo: Daniel Poller, VG Bild-Kunst 2022
until 11.06.
Birds of Tegel. Daniel Poller. photography Repro Birds of Tegel, Daniel Poller, 2022, Archivfester Pigment Print, verschiedene Formate, Photo: Daniel Poller, VG Bild-Kunst 2022
until 11.06.
Birds of Tegel. Daniel Poller. photography Repro Birds of Tegel, Daniel Poller, 2022, Archivfester Pigment Print, verschiedene Formate, Photo: Daniel Poller, VG Bild-Kunst 2022
until 11.06.
Birds of Tegel. Daniel Poller. photography Repro Birds of Tegel, Daniel Poller, 2022, Archivfester Pigment Print, verschiedene Formate, Photo: Daniel Poller, VG Bild-Kunst 2022
For nearly fifty years propeller planes and jets took off and landed at Berlin-Tegel Airport. When TXL was closed in November 2020, Daniel Poller was able to photograph crows, pigeons, starlings and cranes that would soon take over the runways for good. The result is the series „Birds of Tegel“ (2022). A publication with a text by Andreas Prinzing will be published by Edizione Multicolore.
until 11.06.
Self Portrait as Kong. Howard Sherman. painting–drawing Repro Self Portrait as Kong, Howard Shermn, 2019, Acryl, Öl, Leinwand und Marker, 177,8 x 152,4 x 5,08 cm
until 11.06.
Self Portrait as Kong. Howard Sherman. painting–drawing Repro The Private Intellectual, Howard Sherman, 2021, Acryl, Kohle, Sprühfarbe und Marker auf säurefreiem Papier, 142,24 x 106,68 cm
until 11.06.
Self Portrait as Kong. Howard Sherman. painting–drawing Repro Engine Drone #15, Howard Sherman, 2019, Acryl und Marker auf säurefreiem Papier, 30,48 x 22,86 cm
Howard Sherman is one of the best-known artists in Texas, where he received his Master of Fine Arts from the University of North Texas in 2006. Sherman's canvases bear traces of his background as a cartoonist and combine the raw power of aggressive brushstrokes with a playful sense of humour. We are delighted to welcome him to the gallery to his first exhibition in Europe at GALERIE KREMERS.
until 12.06.
Gods Moving in Places. The Day Reader. Mathieu Kleyebe Abonnenc. sculpture–installationaudio–video art Repro Wacapou, a Prologue or a Room in My Mother’s House, Mathieu Kleyebe Abonnenc , 2018, Super8 film transfered to HD, 26mn
The second part of the exhibition "Gods Moving in Places. The Day Reader" will dive deeper into the relationship of living landscapes to memories, histories and colonial trauma. Through the works of French-Guyanese artist Mathieu Kleyebe Abonnenc the exhibition will take the Amazonian forest of the Guiana Shield as a starting point to explore the interwoveness of times and place.
until 12.06.
Schwarzweiß - das andere Gedächtnis. Eine Fotoausstellung des Projektkurses an der VHS unter Leitung von Peter Fischer-Piel. photography Photo: Ingrid Metzner-Hoffmann
For further information in english please contact the gallery.
until 12.06.
Künstler:innen unterstützen die Ukraine. Masha Shubina, Anna Naduda, Vlada Ralko, Mikhail Reva, Valerii Veduta, Hanna Hrabarska, APL315, Alevtina Kakhidze, Oleksiy Sai, Olexandra Kovaleva, Maria Kulikovska.
The World Press Photo Contest annually honors the best photojournalists and documentary photographers. This year, 64,823 entries were submitted by 4,066 photographers from 130 countries. Freundeskreis Willy-Brandt-Haus presents the World Press Photo exhibition for the 19th time. The photographs of the nominees and winners can be seen from 20 May to 12 June at Willy-Brandt-Haus. Further information www.fkwbh.de/world-press-photo-2022
until 14.06.
Die Revolution und die Allegorie der Tugend. Eine fortlaufende Erzählung. Ernesto Tatafiore. Repro Ex. M. A., Adieu, adieu, Ernesto Tatafiore, 1969, Gouche und Bleistift, 22 x 20 cm
until 16.06.
Singularitäten. Christoph Rode, Johannes Mundinger. painting–drawing Repro Erster Ansatz, Christoph Rode, 2022, Öl auf Leinwand, 120 x 110 cm
until 16.06.
Singularitäten. Christoph Rode, Johannes Mundinger. painting–drawing Repro Map of Concern, Test 1, Johannes Mundinger, 2017, Acryl auf Leinwand und Holzfaserplatte, 180 x 210 cm und 210 x 50 cm
For further information in english please contact the gallery.
until 18.06.
Denkharmonist. André Thomkins (1930–1985). painting–drawinggraphic–paper works Repro Transport de Chine à Papfouta, André Thomkins, 1955, Federzeichnung, Photo: Foto: Kunsthandel Wolfgang Werner
The swiss artist André Thomkins (1930–1985) counts among the most interesting artistic positions of the postwar era. Living in Germany since 1952, he creates - blessed with an exuberant inventiveness - an oeuvre that in its diversity resists art-historical classification. We open an insight to this multi-faceted work presenting – besides oil-paintings, watercolours and drawings – the so-called Lackskins, Rollagen and Scharniere as well as rapport patterns and paraphrases.
In cooperation with the Stadtgeschichtliches Museum Spandau, students of the master’s program “Bühnenbild_Szenischer Raum” of the TU of Berlin have taken part in the project “Idea Seminar for the Expansion of the Exhibition: ‘Enthüllt. Berlin und seine Denkmäler’ in connection with Josef Thorak’s pacing horses'” in the winter semester 2021/22. They dealt with the development and testing of new forms of narrative spatial design.
28.05. – 19.06.
Klimakipppunkte. Dinos, Aliens und Elektroschrott. Tom Albrecht, Conrad Brockstedt, Barbara Czarnojahn, Lupe Codoy, Rosika Janko-Glage, Maria Korporal, Lina Schobel, Paul Reßl, Andrea Streit, Nancy Happ, Burchard Vossmann, Helga Wagner. painting–drawingsculpture–installationaudio–video art Repro Maria Korporal
When dinosaurs meet aliens and bags of garbage, it can only be about one topic: climate change. The phenomenon is so complex that it permeates all areas of our lives. And without consistent and decisive countermeasures, all changes head to a critical point - the "tipping point" or Klimakipppunkt in German. In their works, the artists deal with the causes and effects of climate change.
until 25.06.
Zukunft und Anmut, No. 1. Anton Henning. painting–drawing Repro Interieur mit Blumenstilleben und Früchten, No. 5, Anton Henning, 2020, Öl und Acryl auf Leinwand, 150x160cm, Photo: Jörg von Bruchhausen
For further information in english please contact the gallery.
Werner Kunkel (Magdeburg 1922 - 2017 Braunschweig), master student of Hans Kuhn at the HfbK Berlin, painted figuartively throughout his life and consciously kept away from the art establishment. He created an idiosyncratic artistic cosmos that combines factual depiction with enigmatic symbolism. On the occasion of his 100th birthday we show a selection of his paintings and drawings.
Claudia Kallscheuer has an unusual way of expressing art – writing and drawing using the sewing machine, embroidery and sewing and sometimes just leaving threads hanging. Highlighting little things as valuable, things we mostly no longer appreciate. Claudia Kallscheuer transports the seemingly inconsequential, processual, repetitive, linked with calculated chaotic thread. The works obtain strong relevance through the implementation of embroidery.
until 26.06.
Jan Dörre, Falk Gernegroß, Matthias Ludwig. painting–drawing Repro Andere Seite, Jan Dörre, 2021, Öl und Eitempera auf Leinwand, 40 x 120 cm
until 26.06.
Replace the Space. Noa Heyne, John von Bergen. sculpture–installation Repro City spread its limbs 2, Noa Heyne, 2019, mixed media, Photo: Noa Heyne
For further information in english please contact the gallery.
until 30.06.
In warm shroud. Kissing the bloom crux. A frost window. Sterling Ruby. Miscellaneous Repro QUILT (7807), Sterling Ruby, 2022, Photo: Courtesy Sterling Ruby Studio and Sprüth Magers. Photo by Robert Wedemeyer
Since the early 2000s, Sterling Ruby has moved nimbly between mediums and disciplines, connecting art, craft, popular culture, history, philosophy and other fields to produce a rich compendium of objects and images. Deeply invested in the materials he uses, Ruby incorporates their histories and tactile qualities into each of his series, as well as his autobiography and world view.
until 03.07.
Begegnungen. Plakate und Arbeiten für die Volksbühne Am Rosa-Luxemburg-Platz. Achim Freyer, Bernd Frank. graphic–paper works Repro Plakate: Begegnungen, Achim Freyer
For further information in english please contact the gallery.
With this exhibition, Kang Contemporary showcases the relationships between mental and physical spaces. Focusing on intrusions and intersections, therefore, denying any isolation between Art, Space and People complicates these entities and troubles clarity of interpretation. At the same time, it opens the possibility of discovering a plethora of connections and correlations which are tangent to everyday life.
until 16.07.
Indianer, Toreros und Nachteulen. Die Neuen Wilden im Berlin der 80er Jahre. Elvira Bach, Luciano Castelli, Rainer Fetting, Helmut Middendorf, Salomé, Bernd Zimmer. painting–drawing Repro Olé, Luciano Castelli, 1981, Mischtechnik auf Papier, 258 x 244 cm
40 years after the Zeitgeist exhibition of 1982 with its focus on painting, especially "Heftige Malerei" (ferocious painting), held at the Martin-Gropius-Bau—which at the time was located right next to the Berlin Wall and had only just been provisionally renovated—the exhibition at the Galerie Deschler compellingly recalls Berlin's vibrant art scene of the 1980s.
Galerie Georg Nothelfer is pleased to present works by Fred Thieler in dialogue with works by Jan-Peter E.R. Sonntag in the show [ɛ̃fɔʁmɛl]
Fred Thieler (1916-1999) is one of the important representatives of German Informel.
Jan-Peter E.R. Sonntag (*1965) began his work on space in space in the early 1990s with monochromatic gas discharge light systems and fields of standing, sinusoidal infrasound waves - also influenced by the processuality and immediacy of Informel.
20.05. – 30.07.
Bright Red. José Pedro Cortes. photography Repro Foot(II), José Pedro Cortes, 2019, Archival pigment print, 60 x 40 cm, Photo: José Pedro Cortes
"Bright Red" brings together new works by Portuguese artist José Pedro Cortes. The title alludes to the visual deficiency that each man has, a mild color blindness that shifts the color red (or what is known as red) to green, changing the reading of the color spectrum. His photographs function as a map of visual possibilities. Cortes says: "My images reflect our time of constant doubt."
21.05. – 06.08.
David Yarrow. photography Repro Catwalk, David Yarrow, Dinokeng, South Africa, 2021, Photo: David Yarrow / Courtesy of CAMERA WORK
CAMERA WORK Gallery presents the exhibition »David Yarrow« starting on May 21, 2022. The eventful career of this exceptional photographer, like his works, makes history. With the utmost passion and professionalism, David Yarrow has defined his own visual language that makes his works unmistakable. CAMERA WORK provides insight into the artist's impressive visual narrative with the presentation of a comprehensive selection of works, some of which have never been shown before.
Since the 1980s, Dayanita Singh has pioneered a genre-defying approach to photography that pushes the limits of the medium. Dancing with my Camera presents the major phases of the internationally renowned artist’s oeuvre, from her earliest works through today. Along with key past works, including her “museums”, the new project, Let’s See, is especially realised for the Gropius Bau exhibition.
until 21.08.
Friendship. Nature. Culture. 44 Jahre Daimler Art Collection. Werke der Sammlung 1920–2021. Heba Y. Amin, John M. Armleder, Willi Baumeister, Hicham Berrada, Mbali Dhlamini, Haris Epaminonda, Isabell Heimerdinger, Dayanita Singh, Guy Tillim, Franz Erhard Walther, uvm. painting–drawingsculpture–installationphotographyaudio–video art
The anniversary exhibition ›Friendship. Nature. Culture. 44 Years of the Daimler Art Collection‹ looks back on the development of an internationally renowned corporate collection. From over 3,000 artworks in the collection, founded in 1977, about 100 works by ca. 70 artists have been selected. Relating, in a broad sense, to contemporary phenomena in the context of friendship, nature and culture, the artistic works form networks and explore the interplay between art and human coexistence.
until 21.08.
Die weite Ebene nach Westen, bis zum Horizont. Horst de Marées. painting–drawing Repro Verdun-de-Lauragais (Detail), Horst de Marées, um 1965, Tempera auf Papier, 61 x 83 cm
The ZAK -Zentrum für Aktuelle Kunst presents in the comprehensive exhibition Die weite Ebene nach Westen, bis zum Horizont the work of the painter Horst de Marées, whose biography and work development reflect in exemplary form contemporary history and formative aspects of the art of the last century.
until 21.08.
Über die Zeichnung hinaus. Zeitgenössische Zeichnung in Berlin. Sonja Alhäuser, Anke Becker, Matthias Beckmann, Laura Bruce, Claudia Busching, DAG, Jorn Ebner, Myriam El Haïk, Kati Gausmann, Bjørn Hegardt, Hanna Hennenkemper, Timo Herbst, Peter Hock, Birgit Hölmer, Hannes Kater, Mark Lammert, Pia Linz, Petra Lottje, Leon Manoloudakis, Nanne Meyer, Ulrike Mohr, Tomoko Mori, Alex Müller, Bettina Munk, Kazuki Nakahara, Manfred Peckl uvm. graphic–paper works Repro Looking at Clouds, 2021, Tusche auf Papier
The exhibition “Über die Zeichnung hinaus” shows the abundance of current drawing positions in Berlin: exuberant pictorial narrative and strict reduction, figuration and abstraction, documentation and site inspection, illusion and its suspension, the microscopic and the generous, drawing as performance, in books, in space or in animation film. Whether on paper or in combination with other media, drawing goes beyond itself and crosses borders.
We perceive Nachbilder with closed eyes, as memories, when the original light stimulus of the concrete pre-image has already faded away. It is similar with the works of Jochen Schneider – what we have seen resonates and provides the impetus for his drawings and then for images within us that now tell their own, new story – without providing final answers.
until 22.08.
Tectonic Tender. Nina Canell. sculpture–installation Repro Muscle Memory (7 Tonnes), Nina Canell, 2022, Hardscaping material from marine molluscs, Photo: Robin Watkins
Nina Canell’s artistic practice deals with process, transformation and material agency. It does not revolve around the finished artwork, instead foregrounding synergy, entanglement and unpredictability. Her work is recognised for its experimental nature and its questioning of matter as inert, dead or instrumentalised. It is the overlapping trajectories of energetics, material vitalities and spatio-durational convergences that bring the work into existence.
until 27.08.
"angezettelt - alles offen" zum 80. Geburtstag. HohlSchattenKreuzBilder. Johann Manfred Kleber, Skriptopath. painting–drawinggraphic–paper works Repro angezettelt-alles offen, Johann Manfred Kleber, 2021, Stift auf Packpapier, 42 x 59 cm, Photo: Johann Manfred Kleber
For further information in english please contact the gallery.
24.05. – 27.08.
»Collages« & »L.A. Crossing«. Doppelausstellung. Peter Klare, Jens Liebchen. photography Repro ohne Titel (Schilf), 2022 (Detail) – ohne Titel (Central Avenue / 4th Street), 2020 - 2022 (Detail), Peter Klare – Jens Liebchen, jeweils Archival Pigment Print, 90 x 90 cm – 80 x 60 cm
24.05. – 27.08.
»Collages« & »L.A. Crossing«. Doppelausstellung. Peter Klare, Jens Liebchen. photography Repro ohne Titel (Central Avenue / 4th Street), Jens Liebchen, 2010 - 2022), Archival Pigment Print, 60 x 80 cm
24.05. – 27.08.
»Collages« & »L.A. Crossing«. Doppelausstellung. Peter Klare, Jens Liebchen. photography Repro ohne Titel (Schilf) Archival Pigment Print, Peter Klare, 2022, Archival Pigment Print, 2022
For further information in english please contact the gallery.
20.05. – 28.08.
Überlagerungen. Thomas Florschuetz. photography Repro Ohne Titel (Palast) 51, Thomas Florschuetz, 2006, C-Print, 183 x 226 cm
Thomas Florschuetz, born in Zwickau in 1957, is considered to be one of the most important German representatives of contemporary photography. The fascination of photography lies in the complexity of the medium for the artist – which extends beyond the purely illustrative, documentary function. Florschuetz argues that the surrounding reality must be questioned in order to arrive at a more complex image.
until 31.08.
Programm auf Anfrage. painting–drawing Repro Stilleben mit Flaschen, Früchten und Messer, Otto Coenen, 30er Jahre, Öl/Karton, 48 x 52 cm, Photo: Galerie Brockstedt /Berlin
For further information in english please contact the gallery.
until 15.09.
Ein Verhältnis mit Kunst. Alexander und Renata Camaro - Katalyse, Symbiose, Muse? painting–drawing Repro o. T., Renata Camaro, 1960, Öl auf Leinen, 15 x 21,5 cm, Photo: Eric Tschernow
For further information in english please contact the gallery.
until 03.10.
Raumschiff Enterprise. 50 Jahre Tschechische Botschaft in Berlin. Eine Ausstellung zum Gebäude mit Fotografien von Schnepp Renou. Simon Schnepp, Morgane Renou, Věra Machoninová, Vladimír Machonin. photographyMiscellaneous Repro Tschechische Botschaft Berlin, Photo: Schnepp Renou
The iconic Czech Embassy building on Mohrenstraße has been fondly referred to as the Starship Enterprise. It was designed by the architect couple Machonin in 1972 and is now considered one of Berlin's Brutalist gems. This exhibition with photographs by Schnepp Renou is dedicated to this building, its furniture, art and history.
"KioskShop berlin (KSb)" by H. N. Semjon has shaped the face of central Berlin for 11 years from 2000 to 2011. The white shop as a minimalist work of art that connects the art and retail world. The strangely remote "Product Sculptures" from everyday goods, with a painterly structured white beeswax coat, seem to have stopped time. Nicolas Berggruen's Holding kills him. The great collector pretends to be ignorant, or is it.
20.05. – 30.04.
Raus. Raus? Raus! Flucht und Migration im 19. Jahrhundert über den Auswandererbahnhof Ruhleben. Miscellaneous Repro Abb. Plakat zur Ausstellung “Raus. Raus? Raus!” | Grafik: studio lindhorst-emme + hinrichs
Between 1891 and 1914, more than a million mostly Jewish migrants from Eastern Europe had to pass through the emigrant train station between Berlin and Spandau. Before they were allowed to emigrate via the North Sea ports to the USA and other countries, their papers, finances and state of health were checked here.
The exhibition explores questions that are just as pressing today as they were over a hundred years ago.
