until 02.07.
Denkharmonist. André Thomkins (1930–1985). painting–drawinggraphic–paper works Repro Transport de Chine à Papfouta, André Thomkins, 1955, Federzeichnung, Photo: Foto: Kunsthandel Wolfgang Werner
The swiss artist André Thomkins (1930–1985) counts among the most interesting artistic positions of the postwar era. Living in Germany since 1952, he creates - blessed with an exuberant inventiveness - an oeuvre that in its diversity resists art-historical classification. We open an insight to this multi-faceted work presenting – besides oil-paintings, watercolours and drawings – the so-called Lackskins, Rollagen and Scharniere as well as rapport patterns and paraphrases.
Special event Berlin Art Week 02.07.
Traurige Mangroven und das Plastik im Meer. Ein Gespräch mit Petra Beck und Susanne Kriemann, Miscellaneous
Photo and mystery - this was the theme developed by the students of the 48th Elementary School in Berlin-Pankow for their contribution to the exhibition Takeover. For this they chose Susanne Kriemann's series Mngrv (2018-2020). Today, artist Susanne Kriemann and ethnographer Petra Beck will talk to young and old visitors about the changing relationship to the sea along children's books, all of which have a plastic duck lost in the sea as their main character.
until 03.07.
Begegnungen. Plakate und Arbeiten für die Volksbühne Am Rosa-Luxemburg-Platz. Achim Freyer, Bernd Frank. graphic–paper works Repro Plakate: Begegnungen, Achim Freyer
For further information in english please contact the gallery.
until 03.07.
Synthese. An der Schnittstelle von Vergangenheit und Gegenwart zum 80. Geburtstag. Albert Merz. painting–drawing Repro Annäherung, Albert Merz, 2022, Photo: Albert Merz
For further information in english please contact the gallery.
Author and journalist Jörg-Uwe Albig will discuss the theses of his new book with Mladen Gladic on Wednesday, July 6, 2022, at 7 p.m.
In current debates about climate policy, refugees to Corona, a horror image is regularly conjured up: the specter of moralism. We encounter morality in everyday life, in politics, in society. But morality is often just ranted about. In his new book, Jörg-Uwe Albig counters this in a biting, rousing and cleverly argued way.
With this exhibition, Kang Contemporary showcases the relationships between mental and physical spaces. Focusing on intrusions and intersections, therefore, denying any isolation between Art, Space and People complicates these entities and troubles clarity of interpretation. At the same time, it opens the possibility of discovering a plethora of connections and correlations which are tangent to everyday life.
Special event Berlin Art Week 06.07. – 10.07.
art Karlsruhe. Ruo Bing Chen, Steffen Diemer, Sylvie Enjalbert, Silke Leverkühne, Zoran Minić, Michael Toenges, Peter Tollens. painting–drawingsculpture–installation Repro Wolken, von rechts unten nach links oben , Silke Leverkühne, 1998, Eitempera auf Leinwand, 160 x 130 cm
Special event Berlin Art Week 07.07. – 10.07.
art Karlsruhe. Irene Fastner, Albrecht Genin, Christian Hack, Moritz Hasse, Alexandra Huber, EunNim Ro. Repro Stiller Botschafter, Alexandra Huber, 2015, Mischtechnik auf Leinwand, 120x120cm
until 12.07.
Marquettes and outdoor monumentals. Mia Fonassagrives Solow. sculpture–installation Repro Eggplomb, Mia Fonssagrives Solow , 2016, Black enamel on Fiberglass, 244 x 76 x 120 cm , Photo: Mia Fonssagrives Solow
Mia Fonssagrives Solow is an established and internationally celebrated artist. As the daughter of renowned photographer Fernand Fonssagrives and iconic super model Lisa Fonssagrives, as well as the step-daughter of fashion photographer Irving Penn, Mia was born into and molded by a world of art and design. She continues to build upon this legacy as a celebrated sculptor. Fonssagrives Solow has exhibited work throughout the U.S. and been published in Elle, Harper's Bazaar and Artnet.
14.07. – 15.07.
Echos des Verschwindens. Von Wolken, Haiku et al. D 2022, 57 Min., Farbe. Peter Liermann. audio–video art Repro edv 6, Peter Liermann, 2022, Screenshot, Photo: Peter Liermann
14.07. – 15.07.
Echos des Verschwindens. Von Wolken, Haiku et al. D 2022, 57 Min., Farbe. Peter Liermann. audio–video art Repro edv 11, Peter Liermann, 2022, Screenshot, Photo: Peter Liermann
14.07. – 15.07.
Echos des Verschwindens. Von Wolken, Haiku et al. D 2022, 57 Min., Farbe. Peter Liermann. audio–video art Repro edv 7, Peter Liermann, 2022, Screenshot, Photo: Peter Liermann
14.07. – 15.07.
Echos des Verschwindens. Von Wolken, Haiku et al. D 2022, 57 Min., Farbe. Peter Liermann. audio–video art Repro edv 13, Peter Liermann, 2022, Screenshot, Photo: Peter Liermann
Film premiere: Peter Liermann, Frankfurt, follows the powerful spectacle of the clouds with his camera, their diverse appearances and movements, the constant changes and their gentle, barely noticeable coloraturas. Short japanese poems form the echo chamber of the poetic film, which often resembles abstract paintings. Limited number of places. Admission €5.
until 16.07.
Indianer, Toreros und Nachteulen. Die Neuen Wilden im Berlin der 80er Jahre. Elvira Bach, Luciano Castelli, Rainer Fetting, Helmut Middendorf, Salomé, Bernd Zimmer. painting–drawing Repro Olé, Luciano Castelli, 1981, Mischtechnik auf Papier, 258 x 244 cm
40 years after the Zeitgeist exhibition of 1982 with its focus on painting, especially "Heftige Malerei" (ferocious painting), held at the Martin-Gropius-Bau—which at the time was located right next to the Berlin Wall and had only just been provisionally renovated—the exhibition at the Galerie Deschler compellingly recalls Berlin's vibrant art scene of the 1980s.
until 16.07.
Scan. Fotografien. Deni Horvatić. photography Repro Locker room, Deni Horvatić , 2020, C-Print auf Dibond, 180 cm x 195 cm, Photo: Deni Horvatić
until 16.07.
Scan. Fotografien. Deni Horvatić. photography Repro Bath 6/8, Deni Horvatić , 2020, C-Print auf Dibond, 230 x 100 cm, Photo: Deni Horvatić
until 16.07.
Scan. Fotografien. Deni Horvatić. photography Repro Accident 5/6, Deni Horvatić , 2020, C-Print auf Dibond, 180 x 197 cm, Photo: Deni Horvatić
Scan is the first exhibition in Germany of works by Deni Horvatić, an artist born and living in Croatia in 1991. In his scan-like photographs, he removes the distance between himself and the portrayed by choosing a particular point of view: Taken from below, the images take as much as they give, for they deny the viewer a glimpse of the part of the body we most immediately associate with identity - the face.
until 16.07.
New Hustlers & Dudes. Fotografische Arbeiten. Josef Fischnaller. photography Repro Vanitas français, Josef Fischnaller, 2021, C-Print auf Alu Dibond / Acryl, 120 x 160 cm, Photo: Josef Fischnaller
New works of Austrian photographer Josef Fischnaller.
For 35 years, Stephan Hann has been concerned with the demise and survival of materials. Long before the appreciative view of people and materials had even reached the consciousness of many. And yet we are still faced with the question of how a new appreciation, a desire, a craving for something seen as worthless can arise.
until 16.07.
Karl Lagerfeld. A Desire. Vladimir Sichov. photography Repro Karl Lagerfeld, Vladimir Sichov, 1983/84, Photograph, 40 x 60 cm (Gerahmt)
In 1980 Vladimir Sichov went to France and showed his street photographs to the Paris Match office. The magazine published 44 pages of his photographs with an interview. Publications of 55 pages and a cover in "Stern", four issues of the Italian "Oggi" and 12 pages in the American "Life" magazine followed in May. In the same year he became the most published photographer in the world.
until 17.07.
Konvergenzen - Divergenzen. Hans-Jürgen Gabriel, Hella Horstmeier, Joax, Regina Roskoden-Ikels, Robert Schmidt-Matt. sculpture–installation
On display are primarily the three dimensional works of five sculptors and/or object artists. For this exhibition larger exhibits will be presented in the garden grounds of the art association. Accompaning them, two dimensional works will be presented in the gallery as the the artists see fit.
until 21.07.
Gods, Demons and the Sound of Water. Eduard Bigas. Repro Miyajima, Eduard Bigas, 2018, Gansai, Tee und Tinte auf Papier, 45.5 cm x 55.5 cm
French artist John Cornu works with an aesthetic inherited from minimalism and modernism (monochromy, seriality, modularity), while maintaining a strong relation to context (historical, architectural, societal) and a form of contemporary romanticism (a penchant for degradation, blindness, violence, and destruction).
Galerie Georg Nothelfer is pleased to present works by Fred Thieler in dialogue with works by Jan-Peter E.R. Sonntag in the show [ɛ̃fɔʁmɛl]
Fred Thieler (1916-1999) is one of the important representatives of German Informel.
Jan-Peter E.R. Sonntag (*1965) began his work on space in space in the early 1990s with monochromatic gas discharge light systems and fields of standing, sinusoidal infrasound waves - also influenced by the processuality and immediacy of Informel.
until 30.07.
Bright Red. José Pedro Cortes. photography Repro Foot(II), José Pedro Cortes, 2019, Archival pigment print, 60 x 40 cm, Photo: José Pedro Cortes
"Bright Red" brings together new works by Portuguese artist José Pedro Cortes. The title alludes to the visual deficiency that each man has, a mild color blindness that shifts the color red (or what is known as red) to green, changing the reading of the color spectrum. His photographs function as a map of visual possibilities. Cortes says: "My images reflect our time of constant doubt."
until 30.07.
Übers Meer. Peter Bialobrzeski, Miwa Ogasawara. painting–drawingphotography Repro Travemünde, Ostseeküste, Peter Bialobrzeski, 2020, Pigmentdruck auf Barytpapier, Edition 5 + 2 ap., 80 x 60 cm
Übers Meer brings together photographs by Peter Bialobrzeski, taken last year at the Polish Baltic Sea and in Travemünde, and paintings by Miwa Osagawara. The photographer and the painter are friends, and they value each other’s work. They had the idea of collaborating in the following way: Miwa Osagawara responds to Peter Bialobrzeski’s photographs.
until 30.07.
Chercher la vérité. Zeichnungen und Druckgraphik. Martina Altschäfer, Matthias Beckmann, Peer Boehm, Orlando. painting–drawinggraphic–paper works Repro USA, Atlantic City, Trump Plaza, Martina Altschäfer, 2021, Graphit auf Karton, 10 x 16 cm
until 30.07.
Chercher la vérité. Zeichnungen und Druckgraphik. Martina Altschäfer, Matthias Beckmann, Peer Boehm, Orlando. painting–drawinggraphic–paper works Repro Passagen-Werk, Matthias Beckmann, 2019/2020, Bleistift auf Papier, 29,7 x 21 cm
until 30.07.
Chercher la vérité. Zeichnungen und Druckgraphik. Martina Altschäfer, Matthias Beckmann, Peer Boehm, Orlando. painting–drawinggraphic–paper works Repro Unter Aufsicht Pilze suchen, Peer Boehm, 2021, Kugelschreiber und Kaffee auf Seekarte, 89 x 110 cm
until 30.07.
Chercher la vérité. Zeichnungen und Druckgraphik. Martina Altschäfer, Matthias Beckmann, Peer Boehm, Orlando. painting–drawinggraphic–paper works Repro Harzwald, Orlando, 2020, Mezzotinto, 38 x 68 cm
until 30.07.
Multimediale Installation (Skulptur und Animation) mit Klanglandschaften von Paul Behnam. Jan Luis Gottwald. sculpture–installationaudio–video art Repro Turquoise Bird | Draht, Styropor, Naturmaterialien, Bienenwachs, Aluminium, Plastik | 15 x 30 cm | 2022, Jan Luis Gottwald, 2022, Draht, Styropor, Naturmaterialien, Bienenwachs, Aluminium, Plastik , 15 x 30 cm
until 30.07.
Zauberberg Effekt. Jens Hausmann. painting–drawing Repro Zelle 2, Jens Hausmann, 2021, Öl auf Leinwand, 90 x 45 cm
For many years, Berlin-based painter, Jens Hausmann has been one of the most notable painters in the field of architecture in central Europe. Even if this label in itself is slightly misleading, because for Hausmann his work is not about architecture, but rather about painting.
Yann Freichel's representational paintings are created in a lengthy process in which historical events and his own present experience are combined associatively.
until 06.08.
David Yarrow. photography Repro Catwalk, David Yarrow, Dinokeng, South Africa, 2021, Photo: David Yarrow / Courtesy of CAMERA WORK
CAMERA WORK Gallery presents the exhibition »David Yarrow« starting on May 21, 2022. The eventful career of this exceptional photographer, like his works, makes history. With the utmost passion and professionalism, David Yarrow has defined his own visual language that makes his works unmistakable. CAMERA WORK provides insight into the artist's impressive visual narrative with the presentation of a comprehensive selection of works, some of which have never been shown before.
Since the 1980s, Dayanita Singh has pioneered a genre-defying approach to photography that pushes the limits of the medium. Dancing with my Camera presents the major phases of the internationally renowned artist’s oeuvre, from her earliest works through today. Along with key past works, including her “museums”, the new project, Let’s See, is especially realised for the Gropius Bau exhibition.
until 07.08.
Was bleibt: Kulturlandschaft im Wandel. Eine fotografische Dokumentation und Gegenüberstellung. Karl-Ludwig Lange, Wiebke Elzel, Jana Müller. photography Repro Stadel im Blauen Land, Karl-Ludwig Lange, 2015
For further information in english please contact the gallery.
French artist John Cornu (*1976) works with an aesthetic inherited from minimalism and modernism (monochromy, seriality, modularity), while maintaining a strong relation to context (historical, architectural, societal) and a form of contemporary romanticism (a penchant for degradation, blindness, violence, and destruction). Whether sculptural, pictorial, or installation-based, they blend paradoxical forces, setting up a multiplicity of meanings and readings.
12.07. – 12.08.
ROOT on the road am Attersee in Österreich. Auf den Spuren von Gustav Klimt. Juliane von Arnim, Irmgard Bornemann, Sabine Kybarth, Christoph Primm, Ingeborg Rauss, Aruna Samivelu, Ilka Schneider, Ute Wöllmann.
With Kids Curate_Takeover. A project by the Stiftung Brandenburger Tor and the Gropius Bau, Berlin primary school pupils realise their own exhibition on-site at the Gropius Bau. The exhibition explores how to see and understand the world through children’s eyes, through such sensory themes as movement and shadows; the exhibition as a game; interactions between light and water; and the interplay of sound and nature.
With the exhibition many titles, galerie probst is presenting this summer a group show in which seven young artists, each with an individual focus and form of expression, enter into dialogue for the first time. On display are figurative, abstract and monochrome works from the genres of painting, mixed media and sculpture. As the title suggests, there is not one overarching theme, but many, or at least seven, resulting from the sum of the artistic positions.
until 20.08.
The Peacock Machine. Rebecca Horn. sculpture–installation Repro Pfauenmaschine (Peacock Machine), Rebecca Horn, 1982, Aluminum, steel, motor, h = 200, Ø 560 cm | h = 78 3/4, Ø 220 1/2 in, Photo: Stefan Haehnel
Once, Rebecca Horn placed her Peacock Machine inside a classicist temple on an island in a park. The artist created this large mechanical sculpture in 1982 for documenta 7 in Kassel. For the 40th anniversary, the artwork will be on display in the Corner Space of Galerie Thomas Schulte.
until 20.08.
Fred Sandback. graphic–paper workssculpture–installation Repro Untitled (Sculptural Study, Mikado), Fred Sandback, 1993 / 2019, Yarn, Spatial relationships established by the artist; dimensions vary with each installation
Galerie Thomas Schulte is pleased to present the second exhibition of sculptures and works on paper by Fred Sandback. Interactive and transparent as they are, his sculptures, which are made of yarn stretched between two fixed points, are basically outlines that develop their presence in space and can be physically experienced – as "a drawing that is habitable”, as Sandback once said.
After two epically long pandemic years, we long for a summer of new freedoms and nights of revelry. But can we break out of the rehearsed crisis mode, of loneliness and emptiness, and surrender again to life, to sensuality that has become uncanny? Or do we have to think of the next morning and the busyness and distances of the day even in the liberating night? Artists of the gallery seek, find and give inspiration.
until 21.08.
Friendship. Nature. Culture. 44 Jahre Daimler Art Collection. Werke der Sammlung 1920–2021. Heba Y. Amin, John M. Armleder, Willi Baumeister, Hicham Berrada, Mbali Dhlamini, Haris Epaminonda, Isabell Heimerdinger, Dayanita Singh, Guy Tillim, Franz Erhard Walther, uvm. painting–drawingsculpture–installationphotographyaudio–video art
The anniversary exhibition ›Friendship. Nature. Culture. 44 Years of the Daimler Art Collection‹ looks back on the development of an internationally renowned corporate collection. From over 3,000 artworks in the collection, founded in 1977, about 100 works by ca. 70 artists have been selected. Relating, in a broad sense, to contemporary phenomena in the context of friendship, nature and culture, the artistic works form networks and explore the interplay between art and human coexistence.
until 21.08.
Die weite Ebene nach Westen, bis zum Horizont. Horst de Marées. painting–drawing Repro Verdun-de-Lauragais (Detail), Horst de Marées, um 1965, Tempera auf Papier, 61 x 83 cm
The ZAK -Zentrum für Aktuelle Kunst presents in the comprehensive exhibition Die weite Ebene nach Westen, bis zum Horizont the work of the painter Horst de Marées, whose biography and work development reflect in exemplary form contemporary history and formative aspects of the art of the last century.
Special event Berlin Art Week
until 21.08.
Über die Zeichnung hinaus. Zeitgenössische Zeichnung in Berlin. Sonja Alhäuser, Anke Becker, Matthias Beckmann, Laura Bruce, Claudia Busching, DAG, Jorn Ebner, Myriam El Haïk, Kati Gausmann, Bjørn Hegardt, Hanna Hennenkemper, Timo Herbst, Peter Hock, Birgit Hölmer, Hannes Kater, Mark Lammert, Pia Linz, Petra Lottje, Leon Manoloudakis, Nanne Meyer, Ulrike Mohr, Tomoko Mori, Alex Müller, Bettina Munk, Kazuki Nakahara, Manfred Peckl uvm. graphic–paper works Repro Looking at Clouds, 2021, Tusche auf Papier
The exhibition “Über die Zeichnung hinaus” shows the abundance of current drawing positions in Berlin: exuberant pictorial narrative and strict reduction, figuration and abstraction, documentation and site inspection, illusion and its suspension, the microscopic and the generous, drawing as performance, in books, in space or in animation film. Whether on paper or in combination with other media, drawing goes beyond itself and crosses borders.
We perceive Nachbilder with closed eyes, as memories, when the original light stimulus of the concrete pre-image has already faded away. It is similar with the works of Jochen Schneider – what we have seen resonates and provides the impetus for his drawings and then for images within us that now tell their own, new story – without providing final answers.
01.07. – 21.08.
Fragmente des Krieges. Bilder aus der Ukraine. Johanna-Maria Fritz, Helena Lea Manhartsberger, Laila Sieber. photography Repro aus der Serie "Im Garten ein Grab", Johanna-Maria Fritz/Ostkreuz
The group exhibition "Fragments of War – Pictures from Ukraine" shows the photographs by OSTKREUZ photographer Johanna-Maria Fritz (with the series "In the Garden a Grave") and by the two photographers Helena Lea Manhartsberger and Laila Sieber (with the series "Where you can hear the silence"). All three made their way to Ukraine at the beginning of the war. They wanted to be there themselves and capture the incomprehensible in pictures: a war of aggression in Europe, an attack on democracy.
Relic: remnant from a past time, or remnant from a previous of a former state, indicates being left behind, abandoned (Latin: rēlinquere). The curated works show traces of something greater or something that has disappeared. In doing so, the art production imitates, on the one hand, traces of past epochs. On the material plays an essential role. As a medium used are used: quotes, collage, installation, sculpture, drawing, film, textile works.
08.07. – 21.08.
Abstraction. curated by Alteronce Gumby. painting–drawing Repro TAZ #67, Chris Martin, 2021, Acrylic, oil, and glitter on canvas , 102.9 × 76.2 cm / 40 1/2 × 30 in, Photo: Courtesy of the Artist and Anton Kern Gallery
until 22.08.
Tectonic Tender. Nina Canell. sculpture–installation Repro Muscle Memory (7 Tonnes), Nina Canell, 2022, Hardscaping material from marine molluscs, Photo: Robin Watkins
Nina Canell’s artistic practice deals with process, transformation and material agency. It does not revolve around the finished artwork, instead foregrounding synergy, entanglement and unpredictability. Her work is recognised for its experimental nature and its questioning of matter as inert, dead or instrumentalised. It is the overlapping trajectories of energetics, material vitalities and spatio-durational convergences that bring the work into existence.
until 27.08.
"angezettelt - alles offen" zum 80. Geburtstag. HohlSchattenKreuzBilder. Johann Manfred Kleber, Skriptopath. painting–drawinggraphic–paper works Repro angezettelt-alles offen, Johann Manfred Kleber, 2021, Stift auf Packpapier, 42 x 59 cm, Photo: Johann Manfred Kleber
For further information in english please contact the gallery.
until 27.08.
»Collages« & »L.A. Crossing«. Doppelausstellung. Peter Klare, Jens Liebchen. photography Repro ohne Titel (Schilf), 2022 (Detail) – ohne Titel (Central Avenue / 4th Street), 2020 - 2022 (Detail), Peter Klare – Jens Liebchen, jeweils Archival Pigment Print, 90 x 90 cm – 80 x 60 cm
until 27.08.
»Collages« & »L.A. Crossing«. Doppelausstellung. Peter Klare, Jens Liebchen. photography Repro ohne Titel (Central Avenue / 4th Street), Jens Liebchen, 2010 - 2022), Archival Pigment Print, 60 x 80 cm
until 27.08.
»Collages« & »L.A. Crossing«. Doppelausstellung. Peter Klare, Jens Liebchen. photography Repro ohne Titel (Schilf) Archival Pigment Print, Peter Klare, 2022, Archival Pigment Print, 2022
For further information in english please contact the gallery.
until 27.08.
Hamburger Sezessionisten. Eduard Bargheer, Alma del Banco, Otto Fischer-Trachau, Ivo Hauptmann, Emil Maetzel, Dorothea Maetzel-Johannsen, Gretchen Wohlwill. painting–drawinggraphic–paper works Repro Ballspieler, Emil Maetzel, 1955, Öl auf Hartfaser, 71 x 100 cm
The exhibition focuses on the Hamburg Secession, the only group of classical modern artists in the city on the Elbe. Founded in 1919, it saw itself as a platform for like-minded people and united artists from the fields of painting, sculpture, architecture and literature. It produced strong artistic personalities who enriched the cultural life of the Hanseatic city with their diverse independent contributions.
01.07. – 27.08.
mianki & friends. Marc Dittrich, Silke Katharina Hahn, Halfa, Tina Heuter, Jakob Kupfer, Maija Kurševa, Christophe Laudamiel, Ev Pommer, Katharina Schnitzler, Constanze Vogt. painting–drawinggraphic–paper workssculpture–installationphotography Repro Black Line.Mirror, Maija Kurseva, 2022, Gouache, Acryl auf Papierausschnitten, 32 x 19 cm (Papier A3), Photo: Foto: Maija Kurseva, courtesy: Galerie Māksla XO
Summer is coming and with it the time for our exhibition series mianki & friends in which we show the artists of the gallery once a year who are not represented with a solo exhibition in the respective exhibition year. This year we have invited the artist Maija Kurseva from Riga, who caught our eye at the Ma–ksla XO Gallery, Riga. Look forward to the individual positions and the dialogue in juxtaposition with each other.
until 28.08.
Überlagerungen. Thomas Florschuetz. photography Repro Ohne Titel (Palast) 51, Thomas Florschuetz, 2006, C-Print, 183 x 226 cm
Thomas Florschuetz, born in Zwickau in 1957, is considered to be one of the most important German representatives of contemporary photography. The fascination of photography lies in the complexity of the medium for the artist – which extends beyond the purely illustrative, documentary function. Florschuetz argues that the surrounding reality must be questioned in order to arrive at a more complex image.
until 30.08.
20 Jahre Galerie. Sommerspezial*22. Contemporary Fine Art - Ausgewählte Werke. painting–drawing Repro Saturday Night, Paulis Postazs, 2022, Öl, Schlagmetall auf Leinwand, 110 x 110 cm
until 03.09.
Nicolai Howalt, Eva Löfdahl, Trine Søndergaard. graphic–paper works Repro Untitled 3, Trine Søndergaard, 2021, Photogravure, 85,5 x 78,5 cm
BORCH Editions are delighted to present the first solo collaboration with the Danish artist, Trine Søndergaard, in our Berlin gallery. Along with those six photogravures, we show a print project by Eva Löfdahl and a collaborative photogravure project by Trine Søndergaard and Nicolai Howalt.
until 03.09.
Sight.seeing II. Marion Eichmann. graphic–paper works Repro Panorama, Marion Eichmann, 2021, Zeichnung, Pigmenttusche, 149 x 310 cm, Photo: Roman März
02.07. – 03.09.
Colorscapes - Farblandschaften. Dante Factory 1. Hubertus Reichert. painting–drawingaudio–video art Repro Dante Landscape #1, Hubertus Reichert, 2022, Öl auf Leinwand, 150 x 170 cm, Photo: Hubertus Reichert
02.07. – 03.09.
Colorscapes - Farblandschaften. Dante Factory 1. Hubertus Reichert. painting–drawingaudio–video art Repro Dante Landscape #3, Hubertus Reichert, 2022, Öl auf Leinwand, 150 x 170 cm, Photo: Hubertus Reichert
02.07. – 03.09.
Colorscapes - Farblandschaften. Dante Factory 1. Hubertus Reichert. painting–drawingaudio–video art Repro Dante Landscape #5, Hubertus Reichert, 2022, Öl auf Leinwand, 150 x 170 cm, Photo: Hubertus Reichert
02.07. – 03.09.
Colorscapes - Farblandschaften. Dante Factory 1. Hubertus Reichert. painting–drawingaudio–video art Repro Dante Landscape #7, Hubertus Reichert, 2022, Öl auf Leinwand, 150 x 180 cm, Photo: Hubertus Reichert
Hubertus Reichert is picking up the trail he started in 2021 with his series on Dante Alighieri's Commedia. In his new works he wanders through the three realms that Dante traveled through on his journey. In his large paintings he focuses on nature, Dante’s landscapes, colors and materials that keep appearing. One does not face Reichert's new works as a viewer. He makes us feel like stepping into carpets, passing the landscape and being inside.
Deborah Poynton’s sometimes monumental canvases are painted in a virtuoso realistic technique that reveals the smallest details. These are works that offer a reflective visual experience that forces one to pause and resists the fleeting flood of images in digital media. The overwhelming visual richness of her pictorial worlds, in which the gaze can wander almost endlessly, shows a constructed reality, combined from different set pieces.
Alec Soth has been chronicling aspects of American life since the late 1990s. To complete his latest series, A Pound of Pictures, the Magnum photographer travelled across the US in search of people, places, and situations to photograph with his large-format camera. A selection of his images, taken between 2018 and 2021, will be presented at the Reinbeckhallen and will prompt visitors to consider the material and immaterial weight of photographs.
until 15.09.
Ein Verhältnis mit Kunst. Alexander und Renata Camaro - Katalyse, Symbiose, Muse? painting–drawing Repro o. T., Renata Camaro, 1960, Öl auf Leinen, 15 x 21,5 cm, Photo: Eric Tschernow
For further information in english please contact the gallery.
The historic idiosyncrasies and structures of the ifa art collection, and its composition specifically via the partial preservation of the collection that once belonged to the German Democratic Republic’s (GDR) Zentrum für Kunstausstellungen all become opportunities for a collaborative artistic-curatorial investigation. The artists interrogate the collection based on their own “Spheres of Interest”, searching for overlaps, parallels, and omissions.
until 24.09.
Galerie Z22 - Die Werkschau#2. Malerei, Zeichnungen und Mehr. Benka, Eric Massholder, Skadi Engeln, Kai Teichert, Gottgordan, Danielle Benvenuto, Hyeja, Manfred Fischer, Martin Wellmer, Balbina Lightowler. painting–drawing
For further information in english please contact the gallery.
02.07. – 24.09.
NOUVELLE VAGUE Die Sommerschau. Mette Björnberg, Martin Dammann, Veronika Dobers, Sven Drühl, Slawomir Elsner, Christian Henkel, Markus Huemer, Michael Johansson, Aneta Kajzer, Matthias Kanter, Hans Knospe, Malene Landgreen, Jeewi Lee, Jan Muche, Tina Maria Nielsen, Gudrun Petersdorff, Mette Björnberg, Martin Damman, Veronika Dobers, Sven Drühl, Slawomir Elsner, Christian Henkel, Markus Huemer, Michael Johansson, Aneta Kajzer, Matthias Kanter, Hans Knospe, Malene Landgreen, Jeewi Lee, Jan Muche, Tina Maria Nielsen, Gudrun Petersdorff, Luzia Simons, Dan Stockholm, Christian Thoelke, Daniel Maria Thurau, Maik Wolf, Annett Zinsmeister. painting–drawinggraphic–paper workssculpture–installationphotography Repro Kleine Blenderin, Martin Dammann, Aquarell, gerahmt 57,5 x 57,5 cm
01.07. – 25.09.
Home Again. Migration | Zuhause | Erinnerung. M L Casteel, Göran Gnaudschun, Andy Heller, Ulrike Kolb, Oliver Krebs, Eva Leitolf, Wiebke Loeper, Ute Mahler, Werner Mahler, Jana Sophia Nolle, Ingmar Björn Nolting, Peter Piller, Minna Rainio, Mark Roberts, Elena Subach. photography Repro Untitled (Gun & Hamburger) aus der Serie American Interiors, M L Casteel, 2014, C-Print, 33,8 x 45 cm
The group exhibition HOME AGAIN features recent photographic and video works that explore the adaptability of a rapidly changing society. The artists set out in search of responses to the global transformation processes that are shaping our world today. How do people come together during and after crises? How do they centre themselves again? And how do they regain their grounding in what may be a new home? https://www.fkwbh.de/ausstellung/home-again
until 03.10.
Raumschiff Enterprise. 50 Jahre Tschechische Botschaft in Berlin. Eine Ausstellung zum Gebäude mit Fotografien von Schnepp Renou. Simon Schnepp, Morgane Renou, Věra Machoninová, Vladimír Machonin. photographyMiscellaneous Repro Tschechische Botschaft Berlin, Photo: Schnepp Renou
The iconic Czech Embassy building on Mohrenstraße has been fondly referred to as the Starship Enterprise. It was designed by the architect couple Machonin in 1972 and is now considered one of Berlin's Brutalist gems. This exhibition with photographs by Schnepp Renou is dedicated to this building, its furniture, art and history.
until 09.10.
Under Construction. Neuerwerbungen für die Sammlung der Nationalgalerie. Repro Ramita Seca, La Colonialidad Permanente, Bartolina Xixa, 2019, HD-Video, Farbe, Ton, 5:07 min, Photo: Staatliche Museen zu Berlin, Nationalgalerie, Erworben durch die Stiftung des Vereins der Freunde der Nationalgalerie für zeitgenössische Kunst, Courtesy Bartolina Xixa
Incorporating a range of styles and movements that include Minimal Art,Transavanguardia, Pop Art and contemporary art, the exhibition presents works dealing with individual and societal struggles to attain balance, harmony and stability. At the same time, these works show how transient balance is, once it has been attained.
Sibylle Bergemann (1941–2010) is one of Germany’s bestknown photographers. During her Berlin-based career lasting more than four decades, she devoted great passion to an outstanding oeuvre ranging from fashion and portrait photography to literary reportage and atmospheric series. Her focus was always on people.
The Woven Child is the first major survey to focus exclusively on Louise Bourgeois’ fabric-based works. The exhibition charts the artists’ lifelong connection to textiles, and the memories they conjure, through a diverse body of sculptures, installations, drawings, collages, books and prints.
"KioskShop berlin (KSb)" by H. N. Semjon has shaped the face of central Berlin for 11 years from 2000 to 2011. The white shop as a minimalist work of art that connects the art and retail world. The strangely remote "Product Sculptures" from everyday goods, with a painterly structured white beeswax coat, seem to have stopped time. Nicolas Berggruen's Holding kills him. The great collector pretends to be ignorant, or is it.
until 30.04.
Raus. Raus? Raus! Flucht und Migration im 19. Jahrhundert über den Auswandererbahnhof Ruhleben. Miscellaneous Repro Abb. Plakat zur Ausstellung “Raus. Raus? Raus!” | Grafik: studio lindhorst-emme + hinrichs
Between 1891 and 1914, more than a million mostly Jewish migrants from Eastern Europe had to pass through the emigrant train station between Berlin and Spandau. Before they were allowed to emigrate via the North Sea ports to the USA and other countries, their papers, finances and state of health were checked here.
The exhibition explores questions that are just as pressing today as they were over a hundred years ago.
