Special event Berlin Art Week 06.07. – 10.07.
art Karlsruhe. Ruo Bing Chen, Steffen Diemer, Sylvie Enjalbert, Silke Leverkühne, Zoran Minić, Michael Toenges, Peter Tollens. painting–drawingsculpture–installation Repro Wolken, von rechts unten nach links oben , Silke Leverkühne, 1998, Eitempera auf Leinwand, 160 x 130 cm
until 12.07.
Marquettes and outdoor monumentals. Mia Fonassagrives Solow. sculpture–installation Repro Eggplomb, Mia Fonssagrives Solow , 2016, Black enamel on Fiberglass, 244 x 76 x 120 cm , Photo: Mia Fonssagrives Solow
Mia Fonssagrives Solow is an established and internationally celebrated artist. As the daughter of renowned photographer Fernand Fonssagrives and iconic super model Lisa Fonssagrives, as well as the step-daughter of fashion photographer Irving Penn, Mia was born into and molded by a world of art and design. She continues to build upon this legacy as a celebrated sculptor. Fonssagrives Solow has exhibited work throughout the U.S. and been published in Elle, Harper's Bazaar and Artnet.
For 35 years, Stephan Hann has been concerned with the demise and survival of materials. Long before the appreciative view of people and materials had even reached the consciousness of many. And yet we are still faced with the question of how a new appreciation, a desire, a craving for something seen as worthless can arise.
until 17.07.
Konvergenzen - Divergenzen. Hans-Jürgen Gabriel, Hella Horstmeier, Joax, Regina Roskoden-Ikels, Robert Schmidt-Matt. sculpture–installation
On display are primarily the three dimensional works of five sculptors and/or object artists. For this exhibition larger exhibits will be presented in the garden grounds of the art association. Accompaning them, two dimensional works will be presented in the gallery as the the artists see fit.
French artist John Cornu works with an aesthetic inherited from minimalism and modernism (monochromy, seriality, modularity), while maintaining a strong relation to context (historical, architectural, societal) and a form of contemporary romanticism (a penchant for degradation, blindness, violence, and destruction).
until 30.07.
Multimediale Installation (Skulptur und Animation) mit Klanglandschaften von Paul Behnam. Jan Luis Gottwald. sculpture–installationaudio–video art Repro Turquoise Bird | Draht, Styropor, Naturmaterialien, Bienenwachs, Aluminium, Plastik | 15 x 30 cm | 2022, Jan Luis Gottwald, 2022, Draht, Styropor, Naturmaterialien, Bienenwachs, Aluminium, Plastik , 15 x 30 cm
French artist John Cornu (*1976) works with an aesthetic inherited from minimalism and modernism (monochromy, seriality, modularity), while maintaining a strong relation to context (historical, architectural, societal) and a form of contemporary romanticism (a penchant for degradation, blindness, violence, and destruction). Whether sculptural, pictorial, or installation-based, they blend paradoxical forces, setting up a multiplicity of meanings and readings.
With the exhibition many titles, galerie probst is presenting this summer a group show in which seven young artists, each with an individual focus and form of expression, enter into dialogue for the first time. On display are figurative, abstract and monochrome works from the genres of painting, mixed media and sculpture. As the title suggests, there is not one overarching theme, but many, or at least seven, resulting from the sum of the artistic positions.
until 20.08.
The Peacock Machine. Rebecca Horn. sculpture–installation Repro Pfauenmaschine (Peacock Machine), Rebecca Horn, 1982, Aluminum, steel, motor, h = 200, Ø 560 cm | h = 78 3/4, Ø 220 1/2 in, Photo: Stefan Haehnel
Once, Rebecca Horn placed her Peacock Machine inside a classicist temple on an island in a park. The artist created this large mechanical sculpture in 1982 for documenta 7 in Kassel. For the 40th anniversary, the artwork will be on display in the Corner Space of Galerie Thomas Schulte.
until 20.08.
Fred Sandback. graphic–paper workssculpture–installation Repro Untitled (Sculptural Study, Mikado), Fred Sandback, 1993 / 2019, Yarn, Spatial relationships established by the artist; dimensions vary with each installation
Galerie Thomas Schulte is pleased to present the second exhibition of sculptures and works on paper by Fred Sandback. Interactive and transparent as they are, his sculptures, which are made of yarn stretched between two fixed points, are basically outlines that develop their presence in space and can be physically experienced – as "a drawing that is habitable”, as Sandback once said.
After two epically long pandemic years, we long for a summer of new freedoms and nights of revelry. But can we break out of the rehearsed crisis mode, of loneliness and emptiness, and surrender again to life, to sensuality that has become uncanny? Or do we have to think of the next morning and the busyness and distances of the day even in the liberating night? Artists of the gallery seek, find and give inspiration.
until 21.08.
Friendship. Nature. Culture. 44 Jahre Daimler Art Collection. Werke der Sammlung 1920–2021. Heba Y. Amin, John M. Armleder, Willi Baumeister, Hicham Berrada, Mbali Dhlamini, Haris Epaminonda, Isabell Heimerdinger, Dayanita Singh, Guy Tillim, Franz Erhard Walther, uvm. painting–drawingsculpture–installationphotographyaudio–video art
The anniversary exhibition ›Friendship. Nature. Culture. 44 Years of the Daimler Art Collection‹ looks back on the development of an internationally renowned corporate collection. From over 3,000 artworks in the collection, founded in 1977, about 100 works by ca. 70 artists have been selected. Relating, in a broad sense, to contemporary phenomena in the context of friendship, nature and culture, the artistic works form networks and explore the interplay between art and human coexistence.
Relic: remnant from a past time, or remnant from a previous of a former state, indicates being left behind, abandoned (Latin: rēlinquere). The curated works show traces of something greater or something that has disappeared. In doing so, the art production imitates, on the one hand, traces of past epochs. On the material plays an essential role. As a medium used are used: quotes, collage, installation, sculpture, drawing, film, textile works.
until 22.08.
Tectonic Tender. Nina Canell. sculpture–installation Repro Muscle Memory (7 Tonnes), Nina Canell, 2022, Hardscaping material from marine molluscs, Photo: Robin Watkins
Nina Canell’s artistic practice deals with process, transformation and material agency. It does not revolve around the finished artwork, instead foregrounding synergy, entanglement and unpredictability. Her work is recognised for its experimental nature and its questioning of matter as inert, dead or instrumentalised. It is the overlapping trajectories of energetics, material vitalities and spatio-durational convergences that bring the work into existence.
01.07. – 27.08.
mianki & friends. Marc Dittrich, Silke Katharina Hahn, Halfa, Tina Heuter, Jakob Kupfer, Maija Kurševa, Christophe Laudamiel, Ev Pommer, Katharina Schnitzler, Constanze Vogt. painting–drawinggraphic–paper workssculpture–installationphotography Repro Black Line.Mirror, Maija Kurseva, 2022, Gouache, Acryl auf Papierausschnitten, 32 x 19 cm (Papier A3), Photo: Foto: Maija Kurseva, courtesy: Galerie Māksla XO
Summer is coming and with it the time for our exhibition series mianki & friends in which we show the artists of the gallery once a year who are not represented with a solo exhibition in the respective exhibition year. This year we have invited the artist Maija Kurseva from Riga, who caught our eye at the Ma–ksla XO Gallery, Riga. Look forward to the individual positions and the dialogue in juxtaposition with each other.
The historic idiosyncrasies and structures of the ifa art collection, and its composition specifically via the partial preservation of the collection that once belonged to the German Democratic Republic’s (GDR) Zentrum für Kunstausstellungen all become opportunities for a collaborative artistic-curatorial investigation. The artists interrogate the collection based on their own “Spheres of Interest”, searching for overlaps, parallels, and omissions.
19.08. – 18.09.
Trois Chemins / Drei Wege. Darko Lesjak, Olivier Messas, Berit Christina Weiss. painting–drawingsculpture–installation Repro Grüne kristalline Formen 3, Darko Lesjak, 2011, Pastell und Graphitkohle auf Papier, 42 x 30 cm
02.07. – 24.09.
NOUVELLE VAGUE Die Sommerschau. Mette Björnberg, Martin Dammann, Veronika Dobers, Sven Drühl, Slawomir Elsner, Christian Henkel, Markus Huemer, Michael Johansson, Aneta Kajzer, Matthias Kanter, Hans Knospe, Malene Landgreen, Jeewi Lee, Jan Muche, Tina Maria Nielsen, Gudrun Petersdorff, Mette Björnberg, Martin Damman, Veronika Dobers, Sven Drühl, Slawomir Elsner, Christian Henkel, Markus Huemer, Michael Johansson, Aneta Kajzer, Matthias Kanter, Hans Knospe, Malene Landgreen, Jeewi Lee, Jan Muche, Tina Maria Nielsen, Gudrun Petersdorff, Luzia Simons, Dan Stockholm, Christian Thoelke, Daniel Maria Thurau, Maik Wolf, Annett Zinsmeister. painting–drawinggraphic–paper workssculpture–installationphotography Repro Kleine Blenderin, Martin Dammann, Aquarell, gerahmt 57,5 x 57,5 cm
Ulrich Haug's works are image and object. They are plan and rectangular – thus reminiscent of the contours of paintings. At the same time, they unfold an object-like and sculptural presence in space.
25.11. – 09.01.
Klassenfragen. Kunst und ihre Produktionsbedingungen. painting–drawingsculpture–installationphotographyaudio–video arturban art Repro "an artist who cannot get funding is no artist“, public intervention on Dudenstrasse 15, Berlin, June 2021, after Mladen Stilinović and Anca Benera and Arnold Estefan, Vlad Brăteanu, 2021, acrylic on artificial silk, 153 x 253 cm
For further information in english please contact the gallery.
"KioskShop berlin (KSb)" by H. N. Semjon has shaped the face of central Berlin for 11 years from 2000 to 2011. The white shop as a minimalist work of art that connects the art and retail world. The strangely remote "Product Sculptures" from everyday goods, with a painterly structured white beeswax coat, seem to have stopped time. Nicolas Berggruen's Holding kills him. The great collector pretends to be ignorant, or is it.
